#(should I make 2 articles in this case

[the-words-we-sung]

The songs of Young Royals - S2 E1

Here we go for season 2!! More songs so hopefully even more interesting stuff to analyze ^^

Brainfreeze, XVOTO

When I die ... All the voices in my head Tell them how it went and tell them not to miss me much ... Live forever ... Is it God that you see?

The song starts when Wilhelm is in Erik's room, while he burns the picture of his brother and August. It's fitting that the lyrics are partly about death, about telling people not to miss the dead person. Wilhelm misses Erik so much though. This is a good choice for a season that is going to be a lot about grieving. And the "Is it God that you see?" when we get to August sending messages to Wilhelm asking him to forgive him: yeah, will there be a redemption for you?

Aldrig igen, Omar Rudberg (Cherrie & Stormzy)

Being alone, I'm the strongest It's never happening again ... Because I don't wanna feel like this I don't wanna feel like this I don't wanna feel like this Who would wanna feel like this ... It won't happen again

So I discovered during this analysis that it is not a little snippet of a song that Simon created but the cover of an actual Swedish song ^^ He sings it while Marcus is listening in his back. The song reflects completely what Simon is feeling: the break up happened just before the Christmas break, so not that long ago, and he's still feeling so heartbroken. But he doesn't want to keep feeling that way, he doesn't want this painful situation to happen again (seems fateful that it is when Marcus enters the picture: Simon says it there, he will not fall in love and get his heart broken again, so too bad for you Marcus, but you will not get a love story here! Simon will say it himself later on in the season "why can't I fall in love with him?"). The entire song is actually super interesting lyrics-wise because it's about getting over a break up, feeling betrayed by someone who lied, and deciding that you actually deserve better. "Please stop stressing me, I need to breathe... First you wanna leave, now you wanna stay?": it's really about an ex who doesn't know what he wants and keeps changing his mind, changing the rules. Which is what Wilhelm is kinda doing (saying it's not him in the video to the world but then coming to Simon to ask to keep things going, and the the whole beginning of this season where he's gonna try to get Simon's back even though his situation hasn't changed). So yeah these 2 first songs of the season are really fitting to both characters and a very good idea of what the season is gonna be about : angry and grieving Wilhelm vs heartbroken, betrayed (but trying to find his boundaries) Simon

Bang, Cat Clark & Mega

We ain't never stepping down ... I'ma run laps round all you rats

Pretty fitting for Sara finally entering the privileged life of Hillerska. With all these students from rich family who will never "step down", who will keep the status quo, keep looking down on people who are not from their world.

Ripe, Flavia

No need to go to work unless I'm working on your body Hold you up, lay you down, staying up 'til the morning Working hard in the sheets, we could stay here for a week No need to go to work 'less I'm working on your body

A song with very suggestive lyrics, which less very little to the imagination about what the students are gonna get up to at this party ^^' "Ripe for the picking even when I'm not in season": can we also talk about Sara getting her initiation and being thrown into this classist privileged Hillerska life while still being an outsider? There lyrics feel like some kind of metaphor for her wanting so badly to be integrated, to feel ready for that. Or to think she's ready for that, while the reality might not be the same.

Love isn't love, Carola

Stranger, you came into my life Touched me with sweet sensation ... And stranger, you cut me like a knife ... It isn't right It isn't real at all It's just illusion A dream that will tumble and fall

The infamous karaoke "date". I like that the first sentences are sung by Marcus, because yes he got immediately interested in Simon after meeting him. But then he passes the mic to Simon who has to sing "cut me like a knife" and, he doesn't know it yet, but Marcus is quite toxic in the end. He is not gonna treat him well at all, not gonna respect him and his boundaries. Their "relationship" is not gonna help him or heal him at all, it's just gonna hurt him. And we cannot ignore the very (NOT) subtle lyrics when Wilhelm watches the Insta story of them singing: "it's not real". Because it's not. It's not a date. It's not love. It's nothing. And yeah, he's gonna be under the "illusion" of them being together and happy, but it's nothing more than that, an illusion. (And special mention to Wilhelm going feral and threatening the whole monarchy because his ex-boyfriend is on a date: Wilhelm baby, I love you so much!)

Seize the power, Yonaka

Woke up this morning I feel so fucking important I look in the mirror I'm different I finally made a decision ... They hurt you and make you feel helpless They're not brave like you They're too scared to do Anything that's different Anything that's new I don't need lessons I do what I want it's refreshing ... Hey there how you've been? I'm the voice in your head And I know you've been aching When you find me let me in I got power in my hands and it's yours for the taking

So this song is for the end credits of the episode but it's an amazing one and so important! We just saw Wilhelm yell at his mother and threaten the Courts because he doesn't want to be Crown Prince, doesn't want the responsibilities, doesn't want to be a puppet to them, doesn't want to sacrifice Simon and their relationship. And the first lyrics feel fitting: he's mad (and the lights in this bedroom are red and twisty: what better image to represent the rage coiling inside of him at this moment?), he "woke up" after being faced with the reality of the consequences of his lying about the sex tape. With the reality that Simon is on a date with someone else. And gosh yeah, these people, your own mother, they hurt you so badly and made you feel helpless. Making you follow their orders with not agency of your own. But you're gonna be so brave, and different, and strong! I love the chorus "I'm the voice in your head" because he's angry and screaming and threatening but nothing is very effective in the end (we'll see that next episode). He doesn't seem to have power yet. But if he listens to the little voice inside, if he takes the time to do that (and he will! Thanks to Boris for helping him doing some introspection and realizing things), he will realize that the power is here, deep inside him. That the strenght to do what's right for him, for Simon, well he has it. He just needs to close his eyes, reach inside and "take it"

The songs of Young Royals - part 1 The songs of Young Royals - part 2 The songs of Young Royals - part 3 The songs of Young Royals - part 4

[todayisafridaynight]

So Allegedly Infinite Wealth is 100 hours... not that you can't already spend that long on the games if you really want to, but I'd say it's the first time that could be said to be the base experience rather than a time only hardcore completionists are likely to get.

Yokoyama was talking at length about wanting to make the game worth the price tag since the team is incredibly conscious about the value of the players' time and money. They essentially feel they owe players ten times what they paid, so they're aiming for "an enjoyable 100 hours, but also an unforgettable 100 hours."

If they pull it off, I personally think it'd be 100% worth it and not just a "well other studios are doing it so we can get away with it too" price hike... I'm at least happy to know that's not the intent, and I'm intrigued to see how everything pans out and what the ratio is between story and side content

oh yayaya i saw that article this morning!!! 100 hours is actually so unfathomable to me in terms of an rgg game- i mean y7 was At Minimum around 45~50 hours but when i think of other RPGS that easily dip into 70's and 100's of hours, i'm not too surprised to see LAD start to climb towards those numbers now. it'd be such a jump in rgg's terms tho, so i'm TRULY curious to see where the nearly doubled gameplay hours comes from..

i really appreciate yoko's respect not just to RGGS but also to its customers: they want to make a great product, but they also don't want to sacrifice what they want to do to do that in the process

[tiredguyswag]

one of those masterposts for Sudan 🇸🇩

Disclaimer: I am not Sudanese, and am in no way an expert on the ongoing crisis. Corrections, if any, are welcome.

LAST UPDATED: 8th October 2024 [Please try to reblog the original post as much as possible]

~

So what's going on in Sudan? Sudan was under the rule of the military dictator Omar Al-Bashir for thirty years. He came to power through a military coup in June 1989. His rule saw extreme economic decline, repression, and conflict. In the December of 2018, a democratic revolution began that eventually overthrew the dictatorship on April 11, 2019, and saw the beginning of a military rule by militant parties SAF (Sudanese Armed Forces) and RSF (Rapid Support Forces). This unrest is, of course, funded by western governments.

On the 15th of April, 2023, fighting broke out in Khartoum between the SAF and RSF. Clashes spread across the nation of Sudan, and the civilian populace is still caught in the middle. According to UN officials, Sudan is in “one of the worst humanitarian nightmares in recent history."

There is an ongoing war in Sudan, and it's getting worse. There is a health crisis along with the humanitarian crisis as well: around 2/3rds of the population do not have access to healthcare services. Around 15-20 millions suffer from hunger. There are 70 non-operational healthcare facilities in conflict zones. Thousands killed, millions displaced, and a dramatic increase in sexual violence and rape cases.

~

Links for Learning Resources:

Hadhreen: Hadhreen started as an initiative by a small group of Sudanese youth in 2015. Since its inception it continued to work in a variety of sectors, most notably Emergency response, health, and in supporting vulnerable groups.

Talk About Sudan: Learn more about what's happening in Sudan and actions you can take. Also has donation links for those who are able.

Keep Eyes On Sudan: A website run by Sudanese diaspora to amplify the calls of the Sudanese people. Has donation links, actions you can take, upcoming protests and events, resources, FAQs, etc.

#SudanSyllabus.docx: An extensive and well-sourced document, providing English language resources about Sudanese history. It's really long and has got lots of links to books, articles, and more. Curated by Razan Idris.

Human Rights Watch

~

Donation Links:

List of verified charities providing humanitiarian assistance in Sudan

SudanFunds: Like GazaFunds, it is a compilation of GoFundMes for Sudanese individuals in war zones in need of help.

Help Sudan Tarada Initiative: The aim is to deliver emergency basic needs, food and medicine. Funds will be transferred directly to local charities and organization who are managing those shelters to make sure that the funds are well received and is spent on the needs specified.

One Million Sustainable Pads Campaign: Fundraiser to help provide women in IDPs camps with reusable pads

Zubeyda Adam and family (Sudan)

Our home bombarded and destroyed

Help my family escape Sudan's war

Save a transperson in african Refugee camp from starvation [Unsure about the legibility of this one since its not from the person themself, but if someone can verify this for me that would be great]

Hope For Sudan

Darfur Women Action

Doctors Without Borders

Fill A Heart: Financial Assistance to Sudanese Hospitals

Hometax: Sudan Relief

Cairo Sudan Aid

Amal For Women

Sudan Solidarity Collective

Sadagaat

UNICEF

~

These are all the links I have so far. Please spread awareness about Sudan! Let me know if there are any links I should add to the post and I will update it.

[ms-demeanor]

making my own post because nobody needs my bullshit on their post:

OP:

Reblog 1:

Reblog 2:

My response:

The IRA blogs were here and they were active and they were quite popular; their posting patterns did not match normal tumblr users (i was followed by lagonegirl and followed back only to be put off by the account reblogging the same five or ten posts every hour for a day before selecting another five or ten posts to reblog hourly the next day - it was clear engagement bait).

Tumblr has never been as transparent about these accounts as both Twitter and Facebook were, but several of the accounts had shared names across platforms and you can find a significant amount of data that was released by both facebook (ex: ads purchased by the IRA accounts) and twitter (over three million tweets from IRA accounts). Academic researchers have published papers on the data released from facebook and twitter. Several papers. So many papers. Soooooo many papers. We have a LOT of direct evidence that you can explore for yourself that there were hundreds (possibly thousands) of IRA accounts that were created on Facebook and Twitter. Of those accounts, some shared usernames across platforms, and of those accounts, a few had tumblr accounts that posted the same content on twitter and tumblr.

To quote a buzzfeed news article from the time:

The Russian-run Tumblr accounts used the same, or very similar, usernames as the account names contained on a list of confirmed IRA accounts Twitter submitted to congressional investigators. In some cases, the Tumblr and Twitter account has the same profile image or linked to each other in their bios. Some IRA Tumblrs and Twitter accounts also cross-promoted content between platforms, further linking them together.

Current tumblr user @ alwaysbewoke (who I don't want to tag because I'm sure he's got better things to do) is interviewed in that article and talks about following one of the blogs identified by tumblr as an IRA blog that had a matching account on twitter identified as an IRA account but unfollowing when the left-leaning blog supposedly run by a black creator started rooting for trump in the election.

Dr. Jonathan Albright is heavily quoted in the article; the data review he collaborated on is one of the only reviews of this subject that includes data from Tumblr and Reddit.

One of the claims that I've seen is that tumblr just deleted funny black people, but these were blogs with thousands of followers on tumblr who never recreated, never popped up on another social media site, never started a reddit account after getting banned; nobody ever showed up saying "hey this is 4mysquad, I got banned on tumblr and twitter, follow me to pillowfort". These very popular blogs got deleted and, as far as I know, nobody ever popped up claiming to be a person who was deleted - and it's not like tumblr users haven't figured out how to evade bans.

What you are doing when you make posts saying that the IRA accounts on tumblr never existed is *absolving tumblr of guilt for their utter lack of transparency.*

Tumblr is not the only tech company that has tried to fly under the radar as its larger counterparts face regular scrutiny in Congress and in the press. Earlier this month, Reddit revealed it too had deleted hundreds of accounts with ties to the Internet Research Agency. A WIRED investigation found more than a thousand links to Russian propaganda websites are still live on Reddit, and unearthed two suspicious accounts that Reddit immediately shut down.

So should you believe what Tumblr says? No, because Tumblr has been functionally fucking silent on this issue and the information about this subject aside from the list of blogs has come from the hard work of data scientists, journalists, and researchers.

(For the record; some of those bot accounts that were recorded by Dr. Albright also had Google+ accounts in 2017 - there is every possibility that they had myspace accounts).

Now, the reason that I'm popping onto this post as an annoyed anarchist is that I was tracking a similar group of blogs for a while and was discussing them and I stopped precisely because of the galaxy-brained liberals who are now trying to dunk on communists for criticizing electoralism. One of the people who was following my project was one of the ones who started calling out the "joe biden kills dogs" posts as disinfo and I realized they were using some of the guidelines I'd written up to "identify" misinformation and that is very a rock fucking stupid approach to what was clearly a leftist making jokes and was horrified and realized there was no way that I could continue documenting what I was documenting without someone attempting to call actual leftists russian bots.

I've seen the post that OP is referencing [it's one where someone makes a very obvious joke about the democrat presidential ticket and people jump on to call them a bot and then someone tries to do the "AI tell me a story" thing and OP is just like "I don't want to :(", proving that they are in fact a person and not an AI] and have deeply enjoyed the humor of watching liberals a) not understand a very, VERY obvious joke and b) become the unwitting butt of a joke they were trying to make, but also I am so exhausted by watching normie dems call leftists AI bots after years of watching normie dems call real live actual leftists who hold actual political views that real people actually have, like prison abolition, russian bots.

But I am also so fucking tired of left conspiracism and how stupid it sounds when leftists dismiss a preponderance of evidence that is easily accessible and publicly available for analysis as "lol so you just trust everything tumblr tells you?"

No, dipshit, learn to click a fucking link or twelve.

[homoquartz]

hi!! if you would like to join me in being angry, please consider this new gem of journalism bestowed upon us peasants today:

(Article link is here)

In case you doubt it, yes, that is correct. Major studios will now assemble panels of racists, homophobes, transphobes, and misogynists to dictate how much us squirming pathetic little brown queers get to be represented on screen.

They were already doing this, but now they're comfortable saying it outright. As I have said before, THIS SHOULD ALARM YOU.

This post is long so the rest is below, backed up with data:

Disney is tacitly admitting that they canceled The Acolyte because they would rather alienate their marginalized fanbase than their rabid, genocidal straight white male one. And you can be damn sure this is also why the likes of Netflix and HBO Max are so comfortable discarding highly acclaimed queer shows like Warrior Nun, Our Flag Means Death, the Owl House, and Dead Boy Detectives.

The only shows about marginalized people allowed to go on are the ones that, against all odds, become hit successes (eg Heartstopper), at which point their earning potential outweighs their sin of being brown or gay. I want to emphasize that these shows must be breakout hits - shows that perform on par with straighter, whiter releases aren't given this grace.

These companies are going to obscure the reality of their actions by talking about profits and public image, but rest assured they would find a way to justify this even if the vast majority of viewers were brown and queer. Because it's about maintaining power. It's part of a nationwide surge against inclusion.

Do you remember the IGN article that just came out that revealed Disney's insistence that Riley be made to look "less gay" in Inside Out 2?

Do you remember the Autostraddle article which crunched the numbers to show that queer shows are cancelled more often and earlier than others?

How about GLAAD's breakdown of queer shows cancelled last year? Here's a snippet of the data:

❗️Both Autostraddle and GLAAD have found that 1 in 4 queer shows are axed. This is DOUBLE the rate for streaming shows overall, which is just at 12%.

Variety has a data breakdown here. What's interesting is that Netflix is actually pretty moderate with its cancellations, yet the majority of cancelled queer shows belong to Netflix.

I had a harder time finding data for shows featuring leads of color. If anyone has links, I'll add them here.

In conclusion:

They are banning our books. They are cancelling our shows. They are silencing our stories. You know why.

You can help in a few ways. One is to stream as many cancelled shows centering POC and/or queer people as you can. Another option is to cancel your streaming subscriptions and vote with your wallet (this is what I have done).

There's also a bunch of petitions for cancelled shows I strongly recommend signing. Pick a show and google it plus "petition" and it will turn up.

You can go to Rotten Tomatoes and IMDB and 5-star your chosen shows, as well as each episode.

You can message the streaming services on social media requesting renewal. Reaching out to influencers in spheres related to this topic, as well as media outlets, is also a good idea.

Finally and most importantly, talk to your friends and family. Ask them to do something. Ask them to tell people. The more people who stand against a hateful status quo, the less powerful it becomes.

I believe this can be turned around if we make enough noise. These streaming services should revive their queer shows, market them properly, and support them like any other show.

I sound silly now, but watch this space in two years.

[floylia]

ELYSIAN ♫

23. A therapist? ✎

Scaramouche fears no man.

But he does fear four women.

1. Ei — his mother

2. Yae Miko — his mother’s “friend”

3. Nahida — his aunt

4. You — the highlight of his life

There’s no particular order. It depends on the day. Although tonight, that might be the case.

The bamboo pendant lamp hangs beautifully in the intricate walls if Uyuu Restaurant. An order of Tricolor Dango, Shimi Chazuke, Fukuuchi Udon, and Halvamazd scatter along the floor table. Scara settles across his mother. Yae Miko finds the spot next to her and beside him, Nahida chats away with the restaurant owner who introduces himself and the specialties he’d prepared in advance.

Four dishes for four people.

“What a funny guy! What’s his name again?” Yae Miko asks after the owner left.

“I believe it’s Okazaki Rikuto,” Nahida answers as she scans the roster of food available. Scara notices the eagerness in her eyes. Sometimes, his aunt resembles that of a child – if only she wasn’t so perceptive.

“Care to share your thoughts?” Nahida asks.

There it is – as always.

Scara clears his throat, “No. Let’s eat.”

It will have to wait.

Minutes of uncomfortable silence fills the room. A wave of anxiety begins to envelop Scara’s thoughts. Considering his intrepid personality, he’s sure that even outsiders can tell the absurdity of his actions – from fumbling his chopsticks to checking his phone every passing second. It’s a telltale sight. He curses himself.

“Whatever you wanted to discuss with us, you should do it now,” Ei states calmly. Although It’s not a suggestion, rather a demand.

Scara clears his throat a second time. There’s hesitation in his words. But stalling will get him nowhere, “I’ve been seeing someone.”

Yae Miko looks up grinning, “A therapist?”

The urge to say “fuck you” and hold up a middle finger begins to increase.

“Miko,” his mother warns. Scara can’t tell the expression Ei is wearing – he can never tell with her. He hates that. She is uncertainty, someone he’ll never fully understand.

Nahida interjects, “Is it [name]? I’ve seen articles and comments.”

Scara nods.

Always so perceptive.

Yae Miko Gasps, a hand over her mouth, “Oh the poor girl. I can’t believe she chose you.”

“Miko!” Ei screams.

A simple “fuck you” might not be enough. One more comment from the pink haired lady and they’ll have to call the ambulance – and it’s not for the right reasons.

Yae Miko looks at him with false pity, “You do know, it’s bad to lie–”

Ei cuts her off, “When can we meet her?”

Scara is caught off guard in the best way possible.

A genuine smile is written on his mother’s face – satisfaction.

“You should’ve invited her tonight,” Nahida added, “I’m a big fan of her work.”

He’s dreaming. He has to be.

“I had no faith in you,” Yae Miko says matter-of-factly.

Nevermind. He’s not dreaming.

“Look, you were a socially awkward child – a problem child, even now.”

He’s never been in a cat fight, but today might be it. Should he pull the top of her hair first or the bottom? Which one would be more efficient, he wonders. Venti would know.

“I mean Ei, do you remember the time–”

Or perhaps he should ask Heizou for blackmail materials. Then perhaps his mother would finally cut her off. Taking down the Yae Publishing House… What an exciting thought.

Scara tunes out the voice of his primary hater.

“Next time, you and [name] should visit Tenshukaku. I’d love to meet her,” his mother says in-between giggles.

“You’re not upset?” He asks, just to make sure.

Ei looks offended, “Why would I be?”

“Well–” He halts, not sure of what to say, “Because of the scandals…”

He doesn’t care about those trivial issues, but they might.

Nahida giggles, “For someone who doesn’t seem to care about people’s opinions, you sure are obedient today.“

“I just wanted to make sure.”

Ei shakes his head, “I know I never told you this, but I’ve always wanted the best for you,” She hesitates, “I apologize for making it hard for you to tell me simple things like this. I’m not a perfect mother, but I’m glad you’re sharing a part of your life with me – with us.”

He doesn’t know how to respond, merely nods.

If you were here, you would’ve loved them and they would’ve loved you.

He’s sure of that now. He’s wrong for doubting them.

“But anyway, is there something [name] would like? I can send her newly-made desserts from the shop.”

Yae Miko interjects, “Does she read light novels? I can give her a discount.”

“Or maybe she likes plants? Have you given her Padisarahs? Rainbow Roses? It’s supposed to mean passion and romantic encounters,” Nahida suggests.

Ei lights up, “Oh I know! A copy of your childhood photo album – you were an adorable kid.”

“Mom!”

“Hey, I’m sure she’d want it.”

She’s right.

Notes:

in a world where everyone is happy 😃

kept this in the basement for too long

next chapter is the last chapter then the extras

Synopsis: After 7 years of enduring the media’s relentless pursuit of painting you as a villain, you’re forced to go on an indefinite hiatus with a tainted reputation on your head. However, just when you thought your career was over, a certain 5WIRL member wants you to feature on his solo album. Surely, this won’t affect your reputation once more, would it?

Scaramouche x fem!reader

masterlist | previous | next

Taglist (closed): @aruatsu @magicalink @featuredtofu @scarasbaby @veekoko @scaranthropy @the-ghost-0f-t0m0 @vernith @thystarsshine @lily-lmao @lovemari @mellowberrie @kunikuzushis-darling @skyoverkill1 @alatusorrow @kukikoooo @kyon-cherri @keiiqq @tzuw1ce @xiaossocksniffer @kaitfae @infinitetrashbag @lvnalxve @lovelypadisarah @ulquiorraswife @sketcheeee @atyour-kitchencounter @pirate-of-the-dark-seas @neiiuna @sn1perz @kazioli @inelenastyle @hearts4shu @wisheslost @Kazeyozuha @kazumiku @eutopiastar @chemiro @bananasquash @mujiwuji @danhenglovebot @cremesluv @boomie-123 @kookiibun @help-whatdoimakemyusername @vavrin @beaniedoodz @misterpoofin @justpeachyteastea @one-and-only-tay @peaceindreams @strxwberryfetish @shutingstar @projectsfantasy @quacking-simp @morgyyyyyyy @cante-lope @k-cris

[holysupesbatman]

SuperBat Fic Recs

Woaaaah boy. I was in the Superbat tag and saw someone asking for recs and I got about 5 fics in before I realized that wouldn't fit in a reply and decided I should just make a whole post. I feel like I've read half of the Bruce/Clark tag on ao3 at this point and yet I still find more every time I look.

As a note, this post is heavily editorialized. These are all fics I've personally read and are here because I liked them and they come from my ao3 bookmarks. If you want better details about the fic, follow the links and check them out 🤷‍♀️ I'm a picky reader so the fact that it's on the list says a lot, though our tastes may vary.

Onto the recs! I'll organize them by ratings and then by length for simplicity and at the end I'll recommend some of my favorite SuperBat authors for further reading!

🦇

Rated: G

Uno Reverse by WixenBurr (~7k rated G) is really cute and fluffy

Summary: The batkids are trying to set Batman and Superman up. Unfortunately Bruce Wayne wants to date some rando news reporter named Clark Kent.

Rated: T

Know You Better by rotasha (~6k rated T)

super fluffy and cute. I adore this fic. Summary: Clark asks Bruce on a date, not knowing he’s a famous billionaire. Bruce says yes, because this is the first time this has ever happened to him.

I'm Not As Think As You Drunk I Am by Mardiaz173 (~13k rated T)

This one is SO much fun – Nobody believes Clark after he meets the supposed "flirty, stupid, entitled drunk" playboy billionaire Brucie Wayne when he says he's actually "clever, mischievous, and sober with an indecipherable ulterior motive."

Saudade by liodain (~20k rated T)

OK THIS ONE MAKES MY HEART MELT IT'S SO FLUFFY AND SWEET I CAN'T. Like put this on your re-read when you're sad and need to feel like love and goodness exist list. Bruce breaks down in Kansas in 2006 years before BvS and meets young Clark.

fallin' for him was like fallin' from grace by Resacon1990 (~23k rated T)

It's just 20k of Clark simping for Bruce. That's it. That's the fic. He's a golden retriever and he's in love, Your Honor. Bruce is not unaffected, but the pining is glorious.

summary: Or, five times Clark finds himself falling for Bruce, and the one time he does something about it

Mr. Romantic by Pandamomochan (~24k rated T)

ft Established Relationship SuperBat. Summary: Clark gets tasked to write a Valentine's Day article. The end result has every single women throwing themselves at him. Clark has always been patient with the drove of Brucie fans. Will Bruce be as mature with Clark's sudden popularity?

How to Date a Superhero by @solomonara (~25k rated T)

Technically a series of fics. Pure fluff. 1. Someone spots the Batman kissing Mild Mannered Reporter Clark Kent. Hijinks ensue. 2. Superman kissed Bruce Wayne in full view of several dozen phones. Now the whole world, including Lex Luthor, knows Superman has a boyfriend. But that's okay. Batman has a plan. 3. Deleted scenes from the How to Date a Superhero series, ruthlessly cut in most cases to prevent the Robins from taking over.

In every sense of the word by froggy-o (bobafiend) (~29k rated T) From the author's summary: Alternatively titled "Why Wonder Woman is on the verge of losing her fucking mind."

I swear this fic is just Diana's eyebrow twitching as she watches Bruce and Clark start dating and she's let in on both their civilian identities meanwhile Superman and Batman are on the watchtower arguing and disagreeing about basically everything on the daily. In the name of Justice, of course. The identity porn is on a whole other level and it was done so well.

Get Over It by rotasha (~32k rated T)

heh this one has plenty of identity hijinks. Sooooo funny. Summary: Bruce needs to get over his inconvenient feelings for Superman and he meets an attractive reporter who he thinks can help him do just that. Little does he know...

the cost of being a good dad by Mawiiish (~96k rated T)

hehehe... the batkids set up a dating profile for Bruce and catfish Clark. It's more of a blind date for Bruce (not that he had any idea he was going on a date at all), but who has Clark been texting for the past several weeks??? Oh yeah. The kids. What follows is as follows. Still with capes!

Rated: M

Guardian Dog by BombusBombus (~22k rated M)

Summary: There's something wrong with Clark Kent. He has to be a villain, right? A threat? He doesn't behave like a normal person, no matter how handsome or clever he may seem.

grasp his heart (once and for all) by liodain (~32k rated M) soulmate AU fic. Pretty emotional LOTS of identity issues going on there like so much. Kinda high on the drama and angst there honestly but it was a cute read. Summary: Bruce Wayne doesn't believe in fate.

tell all the truth (but tell it slant) by susiecarter (~33k rated M)

love me a fake dating AU. Summary: It takes a while for Batman and Superman to work things out, once Clark comes back from the dead. Pretending to date each other in order to explain why Bruce Wayne and Clark Kent are in the same place so often? Doesn't help as much as you might think.

Strangers When We Meet by Trista_zevkia (~63k rated M)

ANOTHER soulmate AU! This time feat. Kryptonian Biology hehehe. Summary: Clark Kent thought he was straight, until Batman kick started something. The question is what did Batman start? Is Brucie Wayne able to explain it to him?

ship-to-ship combat by pomeloquat (~77k rated M)

OK NO LISTEN this is one of my all-time favorite fics EVER. It's so meta and so funny. Clark is us. We are Clark. Clark is writing RPF for the Bruce/Batman ship and he's very convinced it's real EVEN THOUGH he has a huge crush on the Batman... let the hijinks BEGIN.

Rated: E

Embracing Destiny by Mithen (~8k rated E)

This one is just really really cute. Summary: As a member of the Legion of Super-Heroes in the 31st century, a teenaged Clark learns a stunning secret about his own future: he and someone called "Batman" will be legendary lovers.

perfect strangers by susiecarter (~15k rated E)

like. bruh. susie did it again. This tag says it all: communication failure. I love this one though. Summary: Batman and Superman are fucking. Bruce Wayne and Clark Kent are a great cover for fighting crime, and also might be dating. Bruce and Clark have no idea what they're doing; but they definitely aren't going to be able to talk themselves into stopping.

Relinquishing Control by foxyk (~25k rated E)

afsfwsdfhishdfksj no words. Read the authors summary and then just go read the fic:

Superman worries that if he lets go he'll injure his partner. Batman knows better. Batman worries that if he lets someone else in, he'll hurt them. Superman knows better.

Picture Perfect by TheSaltiestDog @the-saltiest-dog (~26k rated E)

this one is cute and then horny on main but also just so fluffy. Clark sees Bruce in a new light through candid shots, then proceeds to take lots of candid shots as they begin a relationship. Cue schmoop, fluff, smut, and – you guessed it! –Miscommunication!

A Night Off and sequel A Day Off by Mawiiish (~37k combined; first part is E, second is T)

One of my all-time favorites. My bookmark says 10/10 would read again soooooooo... 👀🤷‍♀️😅🥵

Bruce is enjoying one of his few nights off when a very persistent young man offers to buy him a drink. At first he's apprehensive; he's just here for a good time and this Clark seems to be looking for more than that. Then again, what harm can one drink do?

Clark wakes up to an empty bed and despite Bruce being honest from the start, he's still disappointed.

The Downsides to a Secret Identity by liodain (~42k rated E)

I'm currently reading this one – the summary from the author says it all, it's so good but sooo drama:

Bruce Wayne has taken a shine to Clark Kent, but Clark is more interested in the Bat of Gotham. The Bat, however, has it in for the Superman in a big way. Clark should probably have considered that before falling quite so hard. They're working together to track down some missing Kryptonian weaponry, after all...

50 Shades of Wayne by susiecarter (~161k rated E)

No but listen, this is actually so full of plot and emotional depth and not as much smut as you might think. It's a full-scale retelling of Batman v Superman but without them knowing each other's secret identities. I read it in one go... the reveal? Maybe the best I've ever read. Soooo many emotions. It's one of the few times I've read BDSM in a fic and it actually felt in character. I wasn't sure I would read it when I started, but it was a compelling read and extremely well done. Honestly, I'd read it again.

SuperBat Author Shoutouts:

susiecarter @susiecarter

liodain @liodain

Resacon1990 @sassyresacon1990

shipyrds @burins

Mawiiish @superbattrash

rotasha

Mithen

[amateurvoltaire]

For the past six years or so, this graph has been making its rounds on social media, always reappearing at conveniently timed moments…

The insinuation is loud and clear: parallels abound between 18th-century France and 21st-century USA. Cue the alarm bells—revolution is imminent! The 10% should panic, and ordinary folk should stock up on non-perishables and, of course, toilet paper, because it wouldn’t be a proper crisis without that particular frenzy. You know the drill.

Well, unfortunately, I have zero interest in commenting on the political implications or the parallels this graph is trying to make with today’s world. I have precisely zero interest in discussing modern-day politics here. And I also have zero interest in addressing the bottom graph.

This is not going to be one of those "the [insert random group of people] à la lanterne” (1) kind of posts.  If you’re here for that, I’m afraid you’ll be disappointed.

What I am interested in is something much less click-worthy but far more useful: how historical data gets used and abused and why the illusion of historical parallels can be so seductive—and so misleading. It’s not glamorous, I’ll admit, but digging into this stuff teaches us a lot more than mindless rage.

So, let’s get into it. Step by step, we’ll examine the top graph, unpick its assumptions, and see whether its alarmist undertones hold any historical weight.

Step 1: Actually Look at the Picture and Use Your Brain

When I saw this graph, my first thought was, “That’s odd.” Not because it’s hard to believe the top 10% in 18th-century France controlled 60% of the wealth—that could very well be true. But because, in 15 years of studying the French Revolution, I’ve never encountered reliable data on wealth distribution from that period.

Why? Because to the best of my knowledge, no one was systematically tracking income or wealth across the population in the 18th century. There were no comprehensive records, no centralised statistics, and certainly no detailed breakdowns of who owned what across different classes. Graphs like this imply data, and data means either someone tracked it or someone made assumptions to reconstruct it. That’s not inherently bad,  but it did get my spider senses tingling.

Then there’s the timeframe: 1760–1790. Thirty years is a long time— especially when discussing a period that included wars, failed financial policies, growing debt, and shifting social dynamics. Wealth distribution wouldn’t have stayed static during that time. Nobles who were at the top in 1760 could be destitute by 1790, while merchants starting out in 1760 could be climbing into the upper tiers by the end of the period. Economic mobility wasn’t common, but over three decades, it wasn’t unheard of either.

All of this raises questions about how this graph was created. Where’s the data coming from? How was it measured? And can we really trust it to represent such a complex period?

Step 2: Check the Fine Print

Since the graph seemed questionable, the obvious next step was to ask: Where does this thing come from? Luckily, the source is clearly cited at the bottom: “The Income Inequality of France in Historical Perspective” by Christian Morrisson and Wayne Snyder, published in the European Review of Economic History, Vol. 4, No. 1 (2000).

Great! A proper academic source. But, before diving into the article, there’s a crucial detail tucked into the fine print:

“Data for the bottom 40% in France is extrapolated given a single data point.”

What does that mean?

Extrapolation is a statistical method used to estimate unknown values by extending patterns or trends from a small sample of data. In this case, the graph’s creator used one single piece of data—one solitary data point—about the wealth of the bottom 40% of the French population. They then scaled or applied that one value to represent the entire group across the 30-year period (1760–1790).

Put simply, this means someone found one record—maybe a tax ledger, an income statement, or some financial data—pertaining to one specific year, region, or subset of the bottom 40%, and decided it was representative of the entire demographic for three decades.

Let’s be honest: you don’t need a degree in statistics to know that’s problematic. Using a single data point to make sweeping generalisations about a large, diverse population (let alone across an era of wars, famines, and economic shifts) is a massive leap. In fact, it’s about as reliable as guessing how the internet feels about a topic from a single tweet.

This immediately tells me that whatever numbers they claim for the bottom 40% of the population are, at best, speculative. At worst? Utterly meaningless.

It also raises another question: What kind of serious journal would let something like this slide? So, time to pull up the actual article and see what’s going on.

Step 3: Check the Sources

As I mentioned earlier, the source for this graph is conveniently listed at the bottom of the image. Three clicks later, I had downloaded the actual article: “The Income Inequality of France in Historical Perspective” by Morrisson and Snyder.

The first thing I noticed while skimming through the article? The graph itself is nowhere to be found in the publication.

This is important. It means the person who created the graph didn’t just lift it straight from the article—they derived it from the data in the publication. Now, that’s not necessarily a problem; secondary analysis of published data is common. But here’s the kicker: there’s no explanation in the screenshot of the graph about which dataset or calculations were used to make it. We’re left to guess.

So, to figure this out, I guess I’ll have to dive into the article itself, trying to identify where they might have pulled the numbers from. Translation: I signed myself up to read 20+ pages of economic history. Thrilling stuff.

But hey, someone has to do it. The things I endure to fight disinformation...

Step 4: Actually Assess the Sources Critically

It doesn’t take long, once you start reading the article, to realise that regardless of what the graph is based on, it’s bound to be somewhat unreliable. Right from the first paragraph, the authors of the paper point out the core issue with calculating income for 18th-century French households: THERE IS NO DATA.

The article is refreshingly honest about this. It states multiple times that there were no reliable income distribution estimates in France before World War II. To fill this gap, Morrisson and Snyder used a variety of proxy sources like the Capitation Tax Records (2), historical socio-professional tables, and Isnard’s income distribution estimates (3).

After reading the whole paper, I can say their methodology is intriguing and very reasonable. They’ve pieced together what they could by using available evidence, and their process is quite well thought-out. I won’t rehash their entire argument here, but if you’re curious, I’d genuinely recommend giving it a read.

Most importantly, the authors are painfully aware of the limitations of their approach. They make it very clear that their estimates are a form of educated guesswork—evidence-based, yes, but still guesswork.   At no point do they overstate their findings or present their conclusions as definitive

As such,  instead of concluding with a single, definitive version of the income distribution, they offer multiple possible scenarios.

It’s not as flashy as a bold, tidy graph, is it? But it’s far more honest—and far more reflective of the complexities involved in reconstructing historical economic data.

Step 5: Run the numbers

Now that we’ve established the authors of the paper don’t actually propose a definitive income distribution, the question remains: where did the creators of the graph get their data? More specifically, which of the proposed distributions did they use?

Unfortunately, I haven’t been able to locate the original article or post containing the graph. Admittedly, I haven’t tried very hard, but the first few pages of Google results just link back to Twitter, Reddit, Facebook, and Tumblr posts. In short, all I have to go on is this screenshot.

I’ll give the graph creators the benefit of the doubt and assume that, in the full article, they explain where they sourced their data. I really hope they do—because they absolutely should.

That being said, based on the information in Morrisson and Snyder’s paper, I’d make an educated guess that the data came from Table 6 or Table 10, as these are the sections where the authors attempt to provide income distribution estimates.

Now, which dataset does the graph use? Spoiler: None of them.

How can we tell? Since I don’t have access to the raw data or the article where this graph might have been originally posted, I resorted to a rather unscientific method: I used a graphical design program to divide each bar of the chart into 2.5% increments and measure the approximate percentage for each income group.

Here’s what I found:

Now, take a moment to spot the issue. Do you see it?

The problem is glaring: NONE of the datasets from the paper fit the graph. Granted, my measurements are just estimates, so there might be some rounding errors. But the discrepancies are impossible to ignore, particularly for the bottom 40% and the top 10%.

In Morrisson and Snyder’s paper, the lowest estimate for the bottom 40% (1st and 2nd quintiles) is 10%. Even if we use the most conservative proxy, the Capitation Tax estimate, it’s 9%. But the graph claims the bottom 40% held only 6%.

For the top 10% (10th decile), the highest estimate in the paper is 53%. Yet the graph inflates this to 60%.

Step 6: For fun, I made my own bar charts

Because I enjoy this sort of thing (yes, this is what I consider fun—I’m a very fun person), I decided to use the data from the paper to create my own bar charts. Here’s what came out:

What do you notice?

While the results don’t exactly scream “healthy economy,” they look much less dramatic than the graph we started with. The creators of the graph have clearly exaggerated the disparities, making inequality seem worse.

Step 7: Understand the context before drawing conclusions

Numbers, by themselves, mean nothing. Absolutely nothing.

I could tell you right now that 47% of people admit to arguing with inanimate objects when they don’t work, with printers being the most common offender, and you’d probably believe it. Why? Because it sounds plausible—printers are frustrating, I’ve used a percentage, and I’ve phrased it in a way that sounds “academic.”

You likely wouldn’t even pause to consider that I’m claiming 3.8 billion people argue with inanimate objects. And let’s be real: 3.8 billion is such an incomprehensibly large number that our brains tend to gloss over it.

If, instead, I said, “Half of your friends probably argue with their printers,” you might stop and think, “Wait, that seems a bit unlikely.” (For the record, I completely made that up—I have no clue how many people yell at their stoves or complain to their toasters.)

The point? Numbers mean nothing unless we put them into context.

The original paper does this well by contextualising its estimates, primarily through the calculation of the Gini coefficient (4).

The authors estimate France’s Gini coefficient in the late 18th century to be 0.59, indicating significant income inequality. However, they compare this figure to other regions and periods to provide a clearer picture:

Amsterdam (1742): Much higher inequality, with a Gini of 0.69.

Britain (1759): Lower inequality, with a Gini of 0.52, which rose to 0.59 by 1801.

Prussia (mid-19th century): Far less inequality, with a Gini of 0.34–0.36.

This comparison shows that income inequality wasn’t unique to France. Other regions experienced similar or even higher levels of inequality without spontaneously erupting into revolution.

Accounting for Variations

The authors also recalculated the Gini coefficient to account for potential variations. They assumed that the income of the top quintile (the wealthiest 20%) could vary by ±10%. Here’s what they found:

If the top quintile earned 10% more, the Gini coefficient rose to 0.66, placing France significantly above other European countries of the time.

If the top quintile earned 10% less, the Gini dropped to 0.55, bringing France closer to Britain’s level.

Ultimately, the authors admit there’s uncertainty about the exact level of inequality in France. Their best guess is that it was comparable to other countries or somewhat worse.

Step 8: Drawing Some Conclusions

Saying that most people in the 18th century were poor and miserable—perhaps the French more so than others—isn’t exactly a compelling statement if your goal is to gather clicks or make a dramatic political point.

It’s incredibly tempting to look at the past and find exactly what we want to see in it. History often acts as a mirror, reflecting our own expectations unless we challenge ourselves to think critically. Whether you call it wishful thinking or confirmation bias, it’s easy to project the future onto the past.

Looking at the initial graph, I understand why someone might fall into this trap. Simple, tidy narratives are appealing to everyone. But if you’ve studied history, you’ll know that such narratives are a myth. Human nature may not have changed in thousands of years, but the contexts we inhabit are so vastly different that direct parallels are meaningless.

So, is revolution imminent? Well, that’s up to you—not some random graph on the internet.

Notes

(1) A la lanterne was a  revolutionary cry during the French Revolution, symbolising mob justice where individuals were sometimes hanged from lampposts as a form of public execution

(2) The capitation tax was a fixed head tax implemented in France during the Ancien Régime. It was levied on individuals, with the amount owed determined by their social and professional status. Unlike a proportional income tax, it was based on pre-assigned categories rather than actual earnings, meaning nobles, clergy, and commoners paid different rates regardless of their actual wealth or income.

(3) Jean-Baptiste Isnard was an 18th-century economist. These estimates attempted to describe the theoretical distribution of income among different social classes in pre-revolutionary France. Isnard’s work aimed to categorise income across groups like nobles, clergy, and commoners, providing a broad picture of economic disparity during the period.

(4) The Gini coefficient (or Gini index) is a widely used statistical measure of inequality within a population, specifically in terms of income or wealth distribution. It ranges from 0 to 1, where 0 indicates perfect equality (everyone has the same income or wealth), and 1 represents maximum inequality (one person or household holds all the wealth).

[felassan]

Dragon Age: The Veilguard info compilation Post 2

[Link to Part 1]

Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a 'regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this.

Character Creation

It is the best CC BioWare has ever made in a game [source]

The faction we choose will determine who we as protagonist Rook were before they were recruited to put a stop to Solas [source]

Certain conversation options are only available to Rooks of certain factions. For example, Grey Wardens get conversation options that are focused on the Blight, as they know more about it from other people. It also impacts how people talk to Rook (reactivity from characters and then faction reactivity from plots relating to that faction) [source]

Faction choice affects a lot of things [source]

There aren't unique missions (I think this means like the playable Origins in DA:O), but faction choice does set the course for Rook for the rest of the game [source]

"body customization and morphing. From more muscular characters, to curvier builds, and just about any shape you want to give your character, there are all sorts of toggles to adjust so you can give them any figure you want". "There's even features that let you choose proportions, so you can alter their height, give them wider shoulders, and much more" [source]

There are makeup options [source]

There are tattoo options [source]

The hair uses a "Strand system" to "make them behave and move in a believable way for the different races" [source]. (Fel note/speculation: I think "race" here refers to irl, as opposed to like human vs qunari or something, as the language they are using for human/elf/dwarf/qunari is "Lineage")

There are 4 voices to choose from for Rook: two feminine and tow masculine (one American, one British for each) [source]

In CC, 'Lineage' is the game's parlance for race i.e. human, elf, dwarf, qunari [source]

We can pick Rook's name, but the dialogue calls them 'Rook' [source]

In CC we can "make a few key decisions that will impact how The Veilguard begins" [source]

"I really do think its our most feature-ful character creator ever." [source]

Story and lore

In the opening segment of the game (see more on the story's opening moments here), we're too late and Solas' ritual worsens, so Rook and the companions go to stop him. When travelling to the next location (Arlathan Forest) in the chase after Solas, the characters travel through an eluvian [source]. The Forest is where his ritual is taking place. Varric then asks the player if he should confront Solas, and players then work to take down the surrounding statues in order to stop the ritual. "I won’t spoil what happens next, but I’ll just say the player and Veilguard have a tall task ahead of them if they want to save Thedas." [source]

Four of the 6 faction options for Rook (Mourn Watch, Lords of Fortune, Veil Jumpers, Shadow Dragons) are "rooted in northern Thedas" [source]

Certain conversation options are only available to Rooks of certain factions. For example, Grey Wardens get conversation options that are focused on the Blight, as they know more about it from other people. It also impacts how people talk to Rook (reactivity from characters and then faction reactivity from plots relating to that faction) [source]

There aren't unique missions (I think this means like the playable Origins in DA:O), but faction choice does set the course for Rook for the rest of the game [source]

A line of dialogue Dorian had at the Winter Palace in DA:I about what Tevinter is like informed the devs' approach to bringing to life the setting of Tevinter: ""There's a line in Dragon Age Inquisition that we always like to call back to," Epler says. "Dorian goes to the Winter Palace, which, up to that point, is probably the most impressive thing you've seen [as the Inquisitor], and [he] says something like, 'Oh, this is cute.' And we had to ask, what does it look like? What is Tevinter if Dorian sees that [the Winter Palace] and thinks that?"" [source]

The fact that Minrathous used to be the land of the elves was factored into the location's design. John Epler: "You can see the architecture has changed. It's become a lot more elven focused. And something that we've kind of hinted at, but we've never really shown explicitly, is the idea that Tevinter is built on the bones of the ancient elven empire. Tevinter itself, Minrathous itself, all the magic you see, that's just a pale imitation of what the elves are capable of. So you'll start to see as you get deeper into the game, the elves, for example, worked Lyrium into their building materials. Tevinter can't quite figure out how to do that. So instead, you'll see more gold and gems, kind of imitating it, but not ever quite approaching what the elves are able to do, and really creating that continuity of the space. Obviously, Solas isn't too thrilled that this world is the way it is, because he lived in a time of miracles and magic, and even the most magical place in Thedas isn't magic like the elven people used to be able to do" [source]

At the end of the opening portion of the game there is a "jaw-dropping title card cliffhanger" [source]

On the opening sequence: ""One of the things we wanted to do with this game is make the prolog feel like the final mission of a different game," John Epler says. "We really needed to get the stakes, the spectacle, right off the bat. Obviously, players who had been waiting to confront Solas have been waiting for just this moment."" [source]

Each companion has their own storyline that runs parallel to the main story [source]

You cannot succeed without the companions. Each of them has a reason why they need to be part of your party, why they need to help you stop the end of the world [source]

All 7 companions are recruited in the game's first act [source]

The firey demon looking guys shown near the start of the Gameplay Reveal are Rage Demons. Demons in general got a revamp in this game "to more closely align their look", this can be seen with the shades and the Pride demons as well. "they’re creatures of emotion so they have a spectral nervous system look" [source]

The Pride demon the group fight at the Solas face-off in the Gameplay Reveal video "was more a direct tie to Solas than anything else, but it didn't escape us how much it echoed the beginning of DA:I". they wanted to show the stakes and the scale of Solas' power [source]

Characters, companions, romance

Harding was one of the earliest characters that the devs wanted to bring into DA4, because she was such a fan favorite. She is this game's 'traditional returning' character [source]

Each character's romance flavor or style is different. They don't want every character for the romance to feel the same. They want everyone to have their own flavor that's appropriate to them as a character [source] [two]

"We found as we were building a story, more than ever before, it's a story about the people around you; a story about building this team, and working with them." [source]

Each companion has their own storyline that runs parallel to the main story [source]

You cannot succeed without the companions. Each of them has a reason why they need to be part of your party, why they need to help you stop the end of the world [source]

All companions are pansexual (specifically pansexual, not playersexual) [source]

Their pansexuality may come through in what we learn about their backstories [source]

No companion romance is race-locked [source]

Companions reference their past experiences or partners, and they reference who they'll become romantic with. [source]

If you don't romance a character, they may find a different partner for themselves. This could be within the companion roster itself or outside of it in the broader world. [source] For example, if the player does not romance Harding, she may get together with Taash [source]

The game is rated M [source]

The game contains nudity [source]

We can start flirting with the companions pretty early [source]

All 7 companions are recruited in the game's first act [source]

It is not until later parts of the game that you really commit to romance and things get pretty spicy [source]

The nudity, spicy things etc is more towards the end of the game [source]

The devs want the companions to be relatable and fully realized. So things get spicy, but in a more relatable way for people than e.g. some of the more shocking and comical scenes of this nature in Baldur's Gate 3 [source]

How sexually explicit the scenes are varies between characters. Some are more spicy than others. They have diverse personalities like in real life. "Some of them are more physical, more aggressive, and some of them are more... we have a gentleman necromancer [Emmrich], for instance, that is more intimate and sensual." [source] "some characters may be a little more steamy while some characters maybe a little bit more innocent" [source]

The romance and relationship system is more fleshed out than in previous BioWare games. A character's romance will be better woven into their personal story arc and into their involvement in the core questline of the game [source]

"BioWare has also worked to ensure that getting to know your characters as friends feels just as satisfying - and that just because you're not banging your buddy, their (platonic) relationship with you will still continue." ""One of the things we tried to do with The Veilguard is it's not just romantic relationship building," Epler continued. "You need to get to know a person before you can really build that kind of relationship with them, and if you choose not to build a [romantic] relationship, we never want to feel like you're being cut off. There's no 'okay, well, their arc isn't progressing, I'm done'." We want to make sure the non-romantic relationships are deep as well, with friendships not just for companions and yourself, but also between companions across the party."" [source]

GDL reprises his role as Solas [source]

Gameplay, presentation, performance etc

The game has a photo mode [source]

Combat is fast-paced [source]

If you pause the game using the ability wheel you can scan enemies to learn more information about them [source]

Each of the 3 main classes is distinguished by how it generates and spends energy for abilities [source]

Each of the 3 subclasses for each 3 main class promise to offer some meaningful distinctions from each other [source]

for this, rogues have momentum. You build momentum by attacking, by dodging, by parrying, and you lose it by being hit, so there's really a focus with rogues on avoiding damage, avoiding attacks. They build momentum quickly, but they lose it quickly. Warriors have rage, which they build a little bit more slowly, but they don't lose [source]

Attacks can be cancelled [source]

Regarding enemy weaknesses, some of these are elemental. In other cases their defenses are more vulnerable to specific types of abilities [source]

Combat seems to be a matter of managing our abilities as best we can to whittle down enemy defenses and take advantage of their weaknesses [source]

Over the course of the game we get access to three abilities per companion as well as an additional two abilities we can slot, and an additional ability that coms off of items that the devs will not talk about for now [source]

Fully offline single player, no EA account linking, no micro-transactions [source]

The game uses advanced rendering tech in Frostbite, nice subsurface scattering, high quality meshes, while having a striking pseudo-painterly look [source]

There are blood spatters in the game [source]

Production values on the game have gone through the roof. It looks like a big improvement on what came before [source]

On the music: "lots of foreboding tunes mixed with epic flair" [source]

Good voice acting, great facial animations, good hair tech, busy-looking environments and worlds [source]

It's not open world. "There are open areas you can explore around in, but it's mostly structured/mission based, sort of like Mass Effect." [source]

There are difficulty options [source]

They will talk about PC spec stuff at a later time [source]

There is probably an option to see damage numbers [source]

There are many reasons why the game is M-rated [source]

There are lots of abilities, with 3 swapped in on the wheel at any one time [source]

There are a bunch of accessibility options and they will talk about these soon [source]

The ability wheel gives you flexibility to enhance your playstyle. If you don't want to use it at all, you don't have to and that's no issue as shortcuts are available [source]

[☕ found this post or blog interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]

[chaotic-archaeologist]

https://nypost.com/2024/08/28/world-news/boy-4-accidentally-smashes-bronze-age-jar-that-was-at-least-3500-years-old/

Your thoughts?

Personally, I'm kinda sick of museums being required to cater to kids so much. If you're going to do this open air exhibit, kids who don't know how to keep their hands to themselves just shouldn't be allowed in. The glass is there for this very reason.

Actually, I'm with the museum on this one. Is it unfortunate that the vase was broken? Yes. Was the vase a valuable piece of the past? Also yes. But I think the museum did something very cool by not having the artifacts behind glass and are handling this with good grace and the sense to make this a learning opportunity.

Sometimes we overlook the fact that museums often attempt to arrest or freeze artifacts in time. They are kept in controlled conditions to prevent them from deteriorating and even treated to reverse damage. Many things on display on museums are elevated beyond their original value, alienated from their original purpose, and closed off from interaction.

It's incredible that this jar survived as long as it did—and its age is what makes it special—but at the end of the day, it is still a jar. It has now experienced the thing that happens to pretty much every jar that has been or will be. After all, decay is an extant form of life. (If you want to read a very well written and interesting take on decay and archaeology, check out this article by Caitlin DeSilvey.)

The article I linked above provides some important context and the update that the museum is planning on using this as an opportunity to teach about the conservation process. The jar's story is not over; it is being pieced back together and in this next chapter in its life it will be able to tell two stories: one of its life and the other of its rebirth. The museum's approach embraces that, exactly like the Japanese art of Kintsugi.

I also agree with the museum's decision not to punish the child or his family. Things go wrong in museums all the time despite their highly controlled environments, and this is why they have artifacts insured. Sometimes the thing that happens is a child, and by and large museums do not seek damages.

I would encourage you to rethink your stance on museums and children. Museums are for everyone. Children have a right to experience museums and what they have to offer just like anyone else. There are also many studies that discuss how going to museums benefits children.

In this case, perhaps the exhibit design was slightly flawed, but the four year old boy accidentally knocked the jar over because he was curious about what was inside and wanted to investigate. Curiosity is exactly what museums should be encouraging. In an ideal world that curiosity would have been channeled into some other kind of engagement, but the folks who work in museums have a lot on their plates and cannot plan everything perfectly all the time. Even if they could, they often do not have the resources to do so.

Finally, the AP article mentions that the boy and his family were visiting the museum to get away from Hezbollah rocket fire. Regardless of your opinions on the current conflict, everyone deserves to have a safe place to exist. That museums can serve as those spaces is an honor.

I commend the Hecht Museum and the people working there. They 1) successfully provided a place of learning and refuge, 2) opted not for a punitive approach—which is often the default Western model for justice—but a compassionate one, and 3) are using this twist of fate to create programming that will further engage the public.

@museeeuuuum and @museum-spaces would you care to comment?

-Reid

[martinluvrr]

NUMBER ONE | KATE MARTIN ( III )

⋅˚₊‧ kate martin x actress!reader

⋅˚₊‧ summary: here we are again, just like the beginning.

⋅˚₊‧ part two || final part || nav

"Cut, thank you everybody" the director yelled out. You let out a sigh of relief, finally this dreadful week was over and you had some free time. After the chaotic start of the week that was caused by literally a media circus, you knew that this was going to be a tough 7 days.

Sometimes, you wished you didn't go to that audition. Of course you were grateful, this was a life people would kill for, but with the good side came the brutal one. After the picture and the allegations came out, your publicist went nuts, she wen even more nuts when you said to her "I don't want to respond". Apparently not responding, is responding, and while she tried many times to convince you, you didn't budge.

Deuxmoi. Fucking deuxmoi.

While you contemplated if you should send hate messages to the site with your finsta ( your publicist somehow found out and made you promise not to ), Kate was the calm during the storm.

The night of the game, she had texted you in regards of the plans, and you sadly rain checked. While you though she would stop texting after that, she didn't, and neither did you. Her name was still saved as 6 years ago, back then , you didn't have the strength to delete it, just in case.

While the comments, the sly remarks, the articles, the posts made the time draining, Kate was your fuel. She was literally recharging you, it seemed like you guys were back like you were once, but still you didn't want to get your hopes up.

"Bye darlin'" a british accent pulled you out of your thoughts, Emma, your co star smiled sweetly at you from your dressing room doorway. You smiled at her and said your goodbyes as well. While the media was raging, the cast and crew made the week peaceful for you, what was a week ago, a funny, teasing, loud cast turned into a supportive, calm, quiet one. And of course, you knew why. You have been shooting with this people for the past 2 years, and whether you liked it or not, they knew you. and when Matt saw your face on Tuesday, news and threats spread around if anyone asked anything regarding the incident. Y/n absolutely adored them.

As you walked out of the set studio, only two things were on your mind, your bed and chinese food. When opening the door, you looked up and went to a halt. There she stood, blonde, 5'11, in an all black fit an aces hoodie on, and her car behind her. In all her glory.

"What the hell are you doing here?" You asked, your mouth hanging open. She stood straight ,a wide grin forming on her.

"you owe me a date"

"you can't be serious" you let out a laugh.

"dead ass. get in" she gestured to her car, while opening the passenger door. You still remained in your previous positions, your body frozen,like it couldn't believe she was actually here.

"Kate"

"Y/n" she replied back " what's the problem?"

"Are you sure you want this...again?" you asked, suddenly looking at the ground, your insecurity was showing. You still didn't know if you and Kate were happening again, and you knew that if you lost her again, you couldn't survive that.

"Never been more sure in my life" She replied sweetly "Now get in"

"But i look like Adam Sandler" you said, an embarrasing smile on your face .

"I don't care, now please stop making excuses and get in the car" Kate said. You sighed as you made your way to her car, before placing a kiss on her cheek and getting in.

The way to your blind destination, that you begged Kate to tell you, but immune to your charm , she didn't give a single hint. Kates hand was placed on your thigh. After teasing you about your 'adam sandler' outfit, we finally arrived in a parking lot, of what looked likd, a closed casino/hotel.

As you made your way to the elevator, suddenly the air became tense. When you looked up at her, she was already looking back at you, you could feel your face heating up, a small smile appeared on her face, and a second later you mirrored her. Just as y/n and Kates faces were close, the elevator door opened and a bell was heard.

Just as you were about to question her about the empty hallway, you halted when you saw her open the rooftop door, stairs coming down, she took your hand and helped you climb. When you were both on the roof, you took a moment to admire the view, all of the las vegas was before you, it looked majestic.

"The view...so beautiful" you whispered, still in a daze of shock.

"yeah the most" She whispered back, when you glanced back at her, you realized she was talking about you. When you took a look behind her, you saw a chinese logo. chinese food.

"I'm in love" You moaned, taking a bite of the dumpling. You heard Kate let out a laugh, both of you were dangling your feet out in the corner of the rooftop. You felt like a teenager again. Her and you were back to talking about the past, it felt liked you guys were recapping, when the breakup came up, both became hesitant.

"Where did we go wrong?" You heard her question.

"We didn't go wrong, we just went our separate ways"

"I watched suits, when i heard"

"Really?"

"Yeah, watched the whole season, you were great, just like i knew you were"

Kate was always supportive of your dreams, not that everybody else wasn't, but Kate was the only one you admitted your dream to.

"You were also"

"What?" shock, surprised.

"I watched you" you shamelessly admitted

"You did? no way"

"Yes way, i'm your biggest fan" You said, taking a bite out of the noodles. Kate laughed when you accidentally spilled some, suddenly nothing was tense, it was back to normal.

When you both finished your food, you hinted that you should return home because of the 7am shoot you had in the morning, Kate insisted you guys stay for another 30 minutes. And it was definitely worth it, after 15 minutes, a firework erupted. and then another, and another after that, and then 10 after that, they didn't stop for another 10 minutes.

Just as you convinced yourself to not expect anything, and this was still new, she had set this up. When you looked up at Kate and looked down at her lips, one thing was on your mind, and you weren't holding back as you pulled Kate towards you and connected your lips to hers.

✩

As you opened your eyes, sunlight immediately made you close them back, as a groan escaped you and you stirred to get away, two hands locked on your waist held you back. Kate. When you straightened your back, you felt a kiss behind your neck. "Good morning" you heard her raspy voice say.

you didn't make it to your 7am shoot.

✩

thank you for reading pt 3 <3333333 tune in for pt 4 soon!!!!

[sophieinwonderland]

The Plurality of... Bill Cipher (The Book of Bill)

Spoiler Warning for Gravity Falls, The Book of Bill, and the nature of reality as you know it

Hello dear reader.

I recently found in my possession a strange book with no explanation as to how it got there. A bizarre tome known only as The Book of Bill.

I recognized the name and imagery from someone else's memories. Bill Cipher, a character from Alex Hirsch's hit series Gravity Falls.

It honestly seemed too perfect. I've been doing this "Plurality of..." series where I look at plurality in media. And an important part of Bill's shtick was possession.

It seemed simple enough. I can read the book, learn a bit about Bill and his possession, and then write an article about his plurality. But the reality was anything by simple, with far more than I bargained for.

And by the end of this post, this book will have driven me to break a fundamental rule I've held sacred through my "Plurality Of..." series.

What is Plurality?

Before we begin, I should explain what plurality is for anyone new here. Plurality is a term for being multiple in one body in some way.

We call the body's occupants "headmates". These can be anything from alters in dissociative disorders to spirit guides bound to a mortal, to... yes... even literal demonic possession.

Yeah, even being possessed by a demonic triangle from a 2-dimensional universe is a type of plurality. If there are multiple self-conscious agents of some kind there, it's plural!

Time To Get Weird!

(Art by magentasnail)

Let's catch you up on the basics real quick. Again, there will be huge Gravity Falls spoilers.

In Gravity Falls, Bill Cipher is a yellow a 2-dimensional triangle demon bent on causing chaos.

Through the series, Bill makes deals with multiple characters to possess their bodies. This includes both gaining full control over the body of protagonist Dipper Pines for an episode, and more interestingly, sharing control over the body of Stanford Pines for an extended period of time.

Bill's possession of Dipper left Dipper outside his body like a ghost. But his deal with Stanford is much more plural in nature, where they shared control, with Bill only controlling the body in his sleep.

Obviously real plural systems don't have headmates controlling their body while they sleep like this, but the experience can be seen as analogous to dissociative identity disorder, where it's common to experience blackouts and "wake up" in situations unsure how you got there.

That's all you really need to know about Bill for the time being.

With that out of the way, it's time get weird and dive straight into the Book of Bill!

The Book of Bills

As I begin reading the Book of Bill, I'm given a warning from Stanford Pines that the book will rewrite itself based on the mind of the reader. This seems silly, and I of course dismiss the idea out of hand. Surely there's no way a book could change itself based on who's reading it.

As I venture further into this tome, I find the occasional point of interest. References to Bill living in people's brain, him being an idea, etc.

I stop briefly to ponder that. Why does Bill refer to himself as an idea? Isn't he canonically a being from a physical 2-dimensional world? Him being described as an idea is peculiar, but something I tuck away for the future.

The first thing I find that really piques my interest in regards to plurality is the multiple times that it's just referenced that there are multiple Bills in Bill's head. Such as when Bill refers to "the voices in his head" teaming up.

In the plural community, there's a concept known as median system.

A median system is typically a system which has separate parts that are less distinct from each other. There's a pretty solid case that Bill, having a bunch of Bills in his head, could be considered a median system on his own.

In fact, the book itself actually depicts communication between multiple Bills, in the form of an interview.

And throughout the interview, there are times where the Prime Bill seemingly gets annoyed at the interviewer's questions. As if they are actually different people. While this could be Bill simply duplicating himself and pretending for comedic effect, it could just as easily be that both Bills are headmates in Bill's system.

Bill being a median system is a pretty interesting direction.

As I read on though, the book dragged me down yet another rabbit hole, and raised an important question.

Does Bill Have A Dissociative Disorder???

Let's talk about dissociative identity disorder. There are two main criteria for DID. Criterion A is the presence of two or more distinct personality states. You know, like those Bills in Bill's head.

The second is memory loss.

Recurrent gaps in the recall of everyday events, important personal information, and/or traumatic events.

This is what was on my mind when Bill was describing how he was uniquely gifted with the ability to see into the third dimension, and wanted to teach others this same skill.

But when he tries to recount it... this happened...

To me, this sounds exactly what was described in criterion B. This is also called dissociative amnesia.

And it's not just this one-off example. Bill actually references later that he dissociates (his words) and "wakes up" later after a conquest.

With everything we know, it seems incredibly likely that Bill has DID, or at least a related disorder.

Bill is what he eats

Okay... wait...

So Bill can ALSO imprison the souls of those he eats inside himself, and they can apparently take over Bill's body too???

What actually is going on here? Is this one of Bill's powers? He can just eat entire universes and then whatever he consumes becomes a part of him? Or maybe it's something else...

Maybe if we looked at this less literally and consider the previous hints of Bill having a dissociative disorder then perhaps what is going on is that Bill is introjecting these people.

Maybe whenever he enters somebody's mind, some piece of them remains...

I would love to speculate more on this... But this is the only mention of it in the entire book!

At this point, I begin to reflect on the words at the beginning. Maybe it was true that the book was changing itself to give me what I wanted. Little hints of plurality to keep me reading, to ensnare me in its vicious trap and ultimately drive me to madness.

And the worst part was, I was falling into it anyway. Because I had to know, even if this was a trap, I was in it to the very end. My thirst for knowledge and understanding unquenchable.

Even if I knew I should stop here, there was no going back.

Stanford Pines, Bill's Perfect Host

At last, beyond all of the misdirects that were put in my way, I arrived at the reason that I started on this journey.

Stanford Pines.

I need to say that when I started this journey, planning to delve into what the plurality of Bill and Ford might be like, I never imagined that it would be handled so... Beautifully.

I mean that genuinely!

I love the relationship of these two characters in the book!

They are both very out of place in their own ways. Both are aware of things in their world that are denied by others, leaving them ridiculed and ostracized for it. They manage to form a genuine friendship. Even if Bill was using Stanford the whole time to achieve his Weirdmageddon.

The two compliment each other surprisingly well. Bill provides Stanford with a friend who can get him out of his comfort zone, which is something that I think Stanford really needed.

There's a really fun part of the book where Bill just gets Stanford mind-drunk, which is apparently something he can do.

Bill fills a role in Stanford's life that nobody had since he lost contact with his brother. While Stanford had friend in with Fiddleford, his lab partner, and we do get to see parts of that friendship in the book, they are more like work acquaintances.

Alas, it wasn't meant to be. Because in the end, Bill is still an evil demon who was bent on bringing about the Weirdmageddon and was manipulating Ford the whole time.

And when Stanford found out, he tried to shut Bill out. This led to Bill trying to communicate through sticky notes to get Ford to stop ignoring him. He would front in the body at night while Ford slept, and they carried on a conversation through these sticky notes.

Wait... Sticky notes?

This is such an interesting choice for the character! Especially after so many hints of Bill Cipher having some sort of dissociative disorder.

Why?

Because sticky notes are an actual method that real DID systems use to communicate with their alters, as seen in this post from the NAMI (National Alliance on Mental Illness) website.

It's fascinating how, if you were to try to depict how headmates with strong dissociative barriers might communicate, this is one of the ways you would want to do that!

Is this coincidental? Maybe. But the talk of dissociation earlier suggests the author also has at least some basic knowledge of dissociation and how it works. And, perhaps, plurality as well?

Overall, this whole section with Bill and Ford was fantastic, and it was well-worth the read for that on its own.

The End?

I suppose this is the end. I found what I wanted. I got the content I was after. A cool plural story of a guy and his headmate from another dimension who wants to take over the world.

Through all the strange distractions and hints of Bill himself having headmates that seemingly went nowhere, I got more plurality in the book than I expected.

And yet, as I turn the final page of the book, I feel unsatisfied. Unsettled.

"Is that it?" I think to myself.

This is Gravity Falls, a show built on mysteries, and looking deeper than the surface. Surely there has to be more. Right?

What if... all the plurality in this book, is obscuring something deeper? Or maybe hinting at something deeper...

And then... I see it!

After the final page, I come to the About the Author section.

Which means it's time to talk about...

The Plurality of... Bill Cipher Alex Hirsch

Yes, I am going there!

In the beginning, I promised that this post will require me to break a rule I've held sacred through these posts.

That rule... is to never speculate on the plurality of the author.

But, Alex Hirsch, at least in a fictional sense, hasn't exactly shied away from the idea of being "possessed" by Bill. This dates back at least a decade, with him making Tweets like this one.

"Bill Cipher" even did an AMA on Reddit through Alex, playing it off as Bill possessing Hirsch while he slept.

It's a pretty open secret in the Gravity Falls community that Alex Hirsch is "possessed" by Bill. At least in some meta-fiction way that may not be canon to Gravity Falls but isn't quite real either.

And were my analysis to stop here, I wouldn't really be saying anything new or valuable. A lot of this was covered by MatPat on Film Theory.

But there's something I want to go back to that confuses me in this book.

That Bill Cipher... is an idea?

Let's bring this full circle, back to the beginning of the book where Bill mentions that he's imaginary and describes himself as an idea.

These are such weird lines because Bill didn't seem to have originated from people's minds within the narrative of Gravity Falls.

His story is of being a being from a literal flat world. So why then, does he describe himself as an idea? Why does he describe himself as imaginary???

Bill Cipher as Alex Hirsch's Tulpa

While Bill being an idea doesn't make sense if he's speaking as a being from a 2-dimensional world that's real to him, it does make sense if we consider that the Bill talking to us, who wrote the Book of Bill, is a tulpa sharing the body of its creator.

Before going on though, we need to answer an important question. What is a tulpa? The r/tulpas subreddit gives its own answer to this in its FAQ.

The simplest way to describe a tulpa is simply another person who was created intentionally/unintentionally through repeated interaction and shares a body and mind with their creator. A more complicated definition can go as follows: A tulpa is believed to be an autonomous consciousness coinhabiting a brain with their creator, often with a form of their creator's initial choice and design. A tulpa is entirely sentient and in control of their opinions, feelings, form and movement. They are willingly created via a number of techniques to act as companions, muses, and advisers. Tulpa forms can either be visualized in the mind's eye, or, with practice, seen as a hallucinatory figure using a technique called imposition.

And let's stop there on the line about being created as muses, because this is something that's found repeated throughout both The Book of Bill and Journal 3, with Stanford referring to Bill as his "muse."

It's a curious term that doesn't appear in the show, but was added to the lore in these two supplemental books.

The FAQ goes on to explain that while tulpas are often considered to be intentionally created, there are also accidental tulpas that can arise through imaginary friends or from writing characters.

Is it possible to accidentally make a tulpa? Yes - many people join the community after realizing they have had tulpas all their lives, but without knowing what they were called. These "accidental" tulpas often arise from imaginary friends and writing/roleplay characters.

On the point of roleplay characters, something I also haven't mentioned yet is that Alex Hirsch didn't just write the character of Bill Cipher. He WAS Bill Cipher. In the show, Bill is one of the characters Hirsch voices along with Grunkle Stan and Soos.

Writing tulpas and how they come about are discussed a bit more below:

Is this a new phenomena? No, it's a practice that goes back in recorded history at least as far as the Greek philosophers. The present name of the phenomenon is derived from the word used by Tibetan monks in the early 20th century. There's also evidence to suggest dedicated prayer can lead to the development of 'religious tulpas' in the minds of the particularly devout, and on the secular end, writing techniques similar to tulpa development techniques can and have resulted in writers creating accidental tulpas from their characters. Having a tulpa is nothing new, although it's gone by many names throughout the course of history and does so even today. However, we believe we are one of the first groups to address this practice as a psychological phenomena rather than a magical, occult or divine experience.

Tulpamancy and Attention

There was another passage from the book that I found noteworthy.

At the end, Stanford describes what truly sustains Bill isn't power, but attention, which Stanford describes as Bill's "lifeblood."

It's even underlined for emphasis.

Why is this important? Well first, this line goes back to the weird lines earlier suggesting Bill is an idea.

But more importantly, feeding on attention is something which is actually a pretty popular philosophy in tulpamancy. That tulpas feed on and are sustained by the attention of their hosts.

How do I give my tulpa energy? Tulpas are sustained by attention, and energy is a convenient metaphor for this. So, you can give your tulpa energy by interacting with them. It is also possible, through no shortage of work and time on the part of host and tulpa alike, for a tulpa to grow beyond this need and to learn how to sustain themselves.

How much attention/energy/interaction does my tulpa need? During the creation process you should aim to interact with your tulpa daily, anywhere from a few minutes up to a few hours, and narrating to them as and when you can. After they're fully vocal and active, the bare minimum is just acknowledging their existence, but spending time talking to them and interacting with them is very much the point of bringing them into existence. Just don't ignore them, and you'll both be fine.

On Parallels in Writing

Adding another layer, it's likely that Stanford Pines is at least partially based on Alex Hirsch himself.

One point of trivia is that Alex Hirsch has a twin sister, and Gravity Falls was inspired by vacations they would take as children. Dipper and Mabel being based on Alex and his sister is pretty well-known. But towards the end of season 2, it's revealed that their Grunkle Stan is a twin himself, with his brother being Stanford Pines, the author of the journals.

During this part of the story, it starts creating a parallel between the relationships of the younger and older twins, with Dipper (who is based on Alex) bonding with Stanford over how much they have in common. Both are nerds who are into writing and science and uncovering the mysteries of the world. Both are a bit socially awkward as well.

And while not much attention is drawn to this particular connection, both had experiences of making deals with Bill that let Bill takeover their bodies at different points.

Based on the parallels between Dipper and Stanford, one might speculate that Alex based Dipper on his younger self, while Stanford was loosely based on himself as an adult.

The personalities of these two characters are also the most likely to create a tulpa based on the psychological profiles of most tulpamancers.

In 2016, Dr. Samuel Veissiere, a psychiatry professor at McGill University, found the following in his study of tulpamancers:

From coding of qualitative interviews collected in large surveys, the most common tulpamancer profile to emerge is one of a highly cerebral, imaginative, highly articulate, upper-middle class, formally educated person with many consistently pursued interests, talents, and hobbies, but limited channels of physical social interaction. Typical tulpamancers are confident about their talents, but are quite modest and socially shy. They possess – or have cultivated – a high propensity for concentration, absorption, hypnotisability, and non-psychotic sensory hallucinations.

The psychological profile of tulpamancers fits both Dipper and Stanford to a t. And many of these same traits could just as easily be true for Alex Hirsch if these characters were meant to be stand-ins for himself.

Is Alex Hirsch trying to tell us that he's plural?

In the end, this is just a theory. And it's one that I feel nervous making because plurality is so deep and personal. That's why I've avoided speculating on the plurality authors in the past. Even when the writing feels so true to the plural experience that it's hard to imagine that someone who isn't plural wrote it.

So why am I making an exception with this one?

Well, in this particular case, I think that the breadcrumbs are being left intentionally, and if he is plural, then he expects somebody to follow them. I'm not worried that I would be outing somebody who didn't want others to find out.

With Alex Hirsch's love of codes and clues and mysteries, if he were plural, I have to imagine that the hints weren't accidental and he would be wondering if anybody would follow them.

And if I am completely off base and he's not plural, I think that he would still appreciate the theorizing anyway. 🤷‍♀️

But if these are intentional clues that were left behind to hint at a real life plurality, one might ask why.

Why would he want people to know about it, and hint at it in this way?

Well, I think the Book of Bill might have an answer to that too.

Shame is a powerful emotion. But it grows in the dark. The more I've tried to hide my past with Bill, the more hold it's had over me.

Perhaps this line is meant to reflect Alex Hirsch's own feelings. Because many plural systems have felt this same way about their plurality, having hide their relationships to their headmates.

The actual end now

Finally, we come to the real ending of this.

This is, again, just a theory. I don't want anyone taking it as fact. I admit that I could be completely wrong about everything that I've said here.

But if nothing else, it's at least fun to imagine that Alex Hirsch does have a Bill Cipher tulpa in his head that has been acting as his muse this whole time. And it would give a new meaning to the gag of the Weirdmageddon intro saying Gravity Falls was "created by Bill Cipher" all those years ago.

Thanks for reading, and if you have your own muse that you think might be more than a simple muse, be sure to read my guide on how to know if your imaginary friend is sentient.

And if you like this post and want to see more like it, you may want to check out The Plurality of… Avatar: The Last Airbender or The Plurality of… IF

[weirdmarioenemies]

Name: Gobblick

Debut: Mario & Luigi: Brothership

The embargo on Brothership enemies that-I'm-not-sure-if-we-actually-had-or-not is OVER! Which MOD TWEETER is happy about, because she finally gets to talk about her favorite creature from the whole game: GOBBLICK!

From the success of fictional pitcher plants like Victreebel and...er...Victreebel, it's no secret that they've captured the hearts of millions worldwide! And yet, finding a decent video game pitcher plant in this day and age is hard. And that's sad! Especially since Wet-Dry World has arbitrarily decided my rent should be paid for in articles about video game pitcher plants!

Gobblick is SUCH a good pitcher plant design though, definitely worth the wait!! Look at that gut! Those spots! That big, long licker! The ridges on its leaf and lower jaw, seamlessly combining pitcher plant and bear trap aesthetics!

But, of course, the BIG show-stopper: EYES IN A VOID, BABY!!!! I love it!! It works PERFECT with the pitcher plant design! In fact, I wouldn't be surprised if they added them to REAL pitcher plants in a future update! They even remind me of that one talking pot in Winnie-the-Pooh that stuck onto my mind since I watched it as a child!

Since they're on the INSIDE of what is definitively its mouth, though, that raises the question...are these Gobblick's eyes at all? What if they're the eyes of something else? But...what would that something else be? A spider? A Lickitung? Perhaps it's the eyes of a treeshrew, and it's attacking out of embarrassment of us catching it using the bathroom? I'm sorry, hypothetical treeshrew! But you probably shouldn't stay in there, if that's the case, even if you're shy!

Or, most likely, these ARE the eyes of the noble Gobblick, and it uses them to watch its food go down! When you're a pitcher plant, is there honestly anything better to do?

Yes! And that thing is: attacking plumbers! Gobblick is such a fan of battling Mario & Luigi that he has not one, but TWO battles against them! That may not seem like a lot, but that's more than most Mario bosses in most single mainline games!

"Well, that's fine and all, but I bet none of its attacks include the coveted Root Attack," you might scoff. And you'd be wrong! Although real pitcher plant roots are, frankly, not really something to write home about, the root arms of Gobblick are able to dig through ground as they approach the brothers, in a way similar to Whispy Woods! Kirby's Dream Land 2 fans rejoice!

But, this isn't even Gobblick's only form! In fact, the first time I saw and fell in love with Gobblick was in its SECONDARY form! Warning, however, that this form is built off of integral spoilers for the game, so if you click below, do so wisely...!

Name: Glohm Gobblick

Debut: Mario & Luigi: Brothership

WOW! If you loved Gobblick already, then I hope Glohm Gobblick was worth the wait–it certainly was, for me!

Wine-red is just a perfect yet underrated color, especially for pitcher plants! I couldn't believe I had never thought about making a reddish pitcher plant prior, myself, but that just goes to show how ingrained plant color stereotypes are! I saw a picture of a pitcher eating a rat once, and it never escaped my mind, and THAT was red!

But Glohm Gobblick isn't just this beautiful shade of red for no reason! It's under the effect of being Glohmed, which makes anyone other than Mario & Luigi more powerful while amplifying their desire to be isolated and lonely! And unlike some other characters, there's nobody around that's worried for our poor friend Gobblick...it exists only as an optional boss you can come across on your own. Don't worry, Gobblick, we love you...!

Gobblick is never truly alone, however. Thankfully, the game specifies that this is not the Gobblick, but a Gobblick! It's one of MANY! Please expect Gobblick to make its way alongside Toads and Piantas as one of the main recurring Mario People, being charming background fodder for decades to come.

Or not, since it's canonically from another world. Too bad.

This should cover my Wet-Dry Rent for the next few weeks! Join me next time when I finally cover the last in the top three most popular video game pitcher plants: Weepinbell. Bye.

[if-whats-new]

What's New In IF? Issue 31 (2024)

By Aj, Dion, Briar, Jen and Peter

Now Available!

Itch.io - Keep Reading below

If you read the zine, consider liking the post: it helps us see how many people see it! And sharing is caring! <3

~ EDITORIAL ~

Apologies for the delayed Issue!

As you might know, we unfortunately had to delay this Issue due to some personal matters. But as promised, it’s finally here! We wouldn’t want you to miss out on any news.

As this Issue says on the front page, it contains news from November 23rd to November 29th.

But! The Events should be updated to match their status on December 4th, as they are more time-sensitive.

Issue 32 should be released on time. That means two Issues this week!

We want some feedback!

As we’re starting to get a hand of things, we would love some feedback from you guys! What you enjoy, want more or less off, how we could improve... Anything goes! We even have a nifty form.

We hope you enjoy this new issue!

AJ, DION, BRIAR, JEN AND PETER

~ BE A PART OF THE ZINE ~

THIS ZINE ONLY HAPPENS WITH YOU!

Want to write 1-2 pages about a neat topic, or deep-dive into a game and review it in details? Share personal experiences or get all academic?

WRITE FOR THE COLUMN!

Prefer to be more low-key but still have something to share? Send us a Zine Letter or share a game title for Highlight on…!

WE WANT TO HEAR FROM YOU!

Came across something interesting? Know a release or an update announced? Saw an event happening? Whether it's a game, an article, a podcast… Add any IF-related content to our mini-database!

EVERY LITTLE BIT COUNTS!

Contact us through Tumblr asks, Forum DMs, or even by email! And thank you for your help!!

~ EVENT SPOTLIGHT : Videotome Jam - "Waiting" ~

November 16th to December 1st 2024

Videotome Jam is a two-week-long game jam for games made in any of the Videotome engines with the optional theme of "Waiting".

What is Videotome?

Videotome is a series of small homebrew IF/VN engines made by Freya Campbell (communistsister), an indie game developer focusing on narrative games that are usually:

science fiction, horror, &/or romance

close to 100% LGBTQ characters

free/PWYW with low tech requirements

liable to make players keysmash due to feelings

Videotome was first released in April 2022 as a part of a game entry for the Domino Club collective. The initial idea for the engine was to make writing text-heavy games as hassle-free as possible, focusing not that much on the visual presentation format, but more on the writer's experience. It would allow writers to write in a notepad and then it would somehow grab the .txt file and parse the lines into an array, spitting them out one line at a time as a kinetic novel.

At the moment there are four engines available:

Videotome, for linear, no frills text / images / music;

Videotome ADV, adding a more conventional layout with ignorable choices and branching;

Super Videotome, for more fully featured and freeform image/canvas use;

Videotome Heartbreak, adding a stat raising dating sim & storylets structure to the above.

If you're more interested in the process of making these engines, check out the devs blog post - Words, Friction, Syntax: Stuff I thought about when making Videotome. (The post also includes a very interesting case study concerning other game engines Freya has experience with.)

If you want to check out some examples of projects made with Videotome, take a look at this collection. It includes games made by both Freya and other devs.

~ ENDED ~

The Educational Jam has ended. Check out the thirteen entries and learn something new!

The voting for ECTOCOMP 2024 is officially over! Check out the results!

You can now check out all 16 entries to the Videotome Jam!

Disabled Rep VN Jam has a very simple premise but a very important message. Check out the submissions!

~ ONGOING (VOTING) ~

A Very Hallmark Game Jam has entered the voting phase. You can now vote for your favourite out of the five entries.

~ ONGOING (SUBMITTING) ~

Media depicting healthy examples of polyamory isn’t that common. The PolyJamorous 2024 is trying to break the status-quo!

This year’s Yuri Game Jam is in full progress. The devs have until December 2nd to submit their projects.

Once upon a time, a game jam was held to create stories around the theme of fairy tales… and that game jam is the Once Upon A Time VN Jam. It’s running from October 1st to January 31st.

Concours de Fiction Interactive Francophone 2025 is for all French-speaking enthusiasts. Submissions are accepted March 3rd 2025.

Are you perhaps a fan of more somber, melancholic themes? Then check out the Dying Year - Visual Novel Jam! You have until the end of the year to participate.

The Black Visual Novel Jam is all about working with creative professional developers who work in visual novels to bring more Black stories to life. The goal is to create a space where Black creators can show their unique storytelling through visual novels.

IF Short Games Showcase 2024 is a great way to shine some new light on your projects made in the past year (Jan 1, 2024 to Dec 31, 2024), regardless of whether or not they are previously released! You have until January 15th 2025 to join.

Winter Visual Novel Jam 2024 is here! You have until January 1st 2025 to submit your projects.

Are you familiar with Decker? Then why not take a part in the Deck-Month 2?

Another bitsy jam is here. This time with the theme "better late than never".

~ OTHER ~

PIZZAPRANKS is accepting submissions for their Indiepocalypse Issue #61. If you’re a dev and would like to try out your luck, definitely check it out! Any game is welcomed, not only IF.

~ NEW RELEASE ~

You stand at the edge of a vast and foreboding cave system, its mouth yawning like the jaws of some ancient beast. This is no ordinary cave—it is the entrance to the Caverns of the Forgotten, a labyrinth of twisting tunnels, hidden chambers, and unfathomable mysteries that have claimed countless explorers before you.

Generations ago, invaders brought magic to the Kingdom of Jubai, setting battlemages at the top of the noble power structure and leaving everyone else oppressed. Now, a secret organization of mage hunters has risen up, phoenixlike, to stand against the mages' power and overthrow their rule. Can your secret order of mage hunters save the kingdom, or will internal strife tear you apart in Magehunter: Phoenix Flame (CScript)?

Today is your first day of work here at Toy Maker’s TOY BOX (Ren’Py). Pull apart stitches or rip off an arm or two; we support whatever you must do to ensure that you only save toys of the highest quality. Should you ever feel unsure, there’s no need to panic! Simply toss the trash where it belongs: the incinerator. After all, it’s of the utmost importance that inspectors upkeep the Maker’s image.

You're struggling for friends in a new town and decide to check out a cute diner! — 'That New Diner', huh? Odd name for a restaurant, but I see advertisements for it everywhere. Might as well check it out. Who knows, maybe I'll meet somebody?

What does the glass sound like? Quite tinkly. It crumbled into sand under the feet of all those worried people circling around. As for you, there was darkness in your eyes for a long time. And the glass has melted into silence long since. But what is this place? And who is this stranger standing in front of you? And most importantly, where — or who — did the bullet hit? — Monarch (Ren’Py) is a short visual novel game that was made during Ukrainian Micro Visual Novel Jam in 10 days.

Halloween is a big deal in Port Gillain, steeped as the town is in old folklore and ghost stories. You, the local psychic, regularly attend the festivities. This year, you can bring a friend. The Second Sight: All Hallow's Eve (Twine) is a companion story to The Second Sight: Dead Reckoning.

Your Aunt’s House (Adventuron) is a short story about mourning. @kessielrg

The story centers around Larry, a cab driver eking out a meagre existence in a dystopian near-future, until he unwittingly finds himself centre-stage in the midst of a technological revolution. — For the first time this multi-media project can be experienced in the form of an interactive novel. Larry Folger Volume I contains all the chapters of the ongoing narrative complete with music from the series.

Your feather, my wing is a game about getting close to the object of an experiment that your 'super-secret lab' leads! It's all about fun, fluff and cuddles. Nothing serious and if anyone from the "normal world" came to this organization, they'd be disappointed by the lack of pathos, mystery and seriousness. But do you care?

Nestled at the edge of an ancient forest, Ravenwood Hill looms like a shadowed sentinel against the pale moonlight. This is no ordinary place; whispers of its dark history echo through the trees, carried by the wailing wind. The townsfolk speak of disappearances, of mysterious lights flickering in the mansion atop the hill, and of secrets buried deep beneath its crumbling foundations. In Ravenwood Hill, you are the only one brave—or foolish—enough to uncover the truth.

As always, don't forget to check out the submitted entries to the events mentioned in the previous pages. They deserve some love too!

~ NEW RELEASE (WIP) ~

Iberian Tales (Twine) - Life was once tranquil on the isolated coast of your city, surrounded by a loving family and promising prospects for success in your societal position. However, tranquility shattered as flames engulf your city, escape becomes the only viable option, if luck favors you enough to evade the soldiers blocking your path that is. @iberiantalesif-game

The Thorned Garden (CScript) is a Harem Intrigue game where you can die at any turn. Build up skills and connections to survive and climb the rankings. @opossumfern

Locked in a luxurious but ominous hotel, you are forced to face trials alongside five other people. Who abducted you and for what reason? What does the future hold with different organizations fighting for power over the world? And just how much is at stake when you play a twisted game without rules? Whether you want it or not, welcome to the Threshold (Twine). @thethreshold-if

5 days (Ren’Py) - Every step forward feels like another memory slipping through your fingers and yet, the world moves on — forcing you to find a way to follow, even when it feels impossible to let go.

~ UPDATES ~

As Gods Fall (CScript) released Chapters 4 and 5. @asgodsfall-if

Knight of Greenhaven (CScript) released Chapter 2.

Lost in your eyes (CScript) released part five of Chapter 3 on Patreon. @kathrinesadventures

Saturnine (CScript) added new content to their demo. @satur9-if

The Thousand Of Us (CScript) added new content to their public demo. @ivanwm-05

Weeping Gods (CScript) added new content to their demo. @jcollinswrites

The Summoner (CScript) released a part of Chapter 4.

Ashenmaw - Dragons of Marrowoods (CScript) added a part of Chapter 1 to their demo. @ashenmaw-if

Our Life: Now and Forever (Ren’Py) added Step 2 introduction scenes to their public demo. @gb-patch

Wasteland Pony Express added new content to their demo. @katieaki

The In-Between (CScript) released Chapter 11. @dalekowrites

Crown of Exile (Twine) released Chapter 10 on Patreon. @ramonag-if

~ OTHER ~

350p Adventure has been ported from Infor 6 to PunyInform. You can either download it or play it online in your browser. — (Some interesting trivia: The game is sometimes called Advent, because the system it was created on in the 70s would not allow filenames to be more than six characters long. This game is sometimes considered as the very first text adventure.)

~

As always, we apologize in advance for missing any update or release from the past week. We are only volunteers using their limited free time to find as much as we can - but sometimes things pass through the cracks.

If you think something should have been included in this week's zine but did not appear, please shoot us a message! We'll do our best to add it next week! And if you know oncoming news, add it here!

~ MAYBE YOU NEXT? ~

We did not get a submission this week. But if you have an idea for a short essay, or would like a special space to share your thoughts about IF and the community...

Shoot us an email!

~ HIGHLIGHT ON ~

A couple of games that we thought were cool.

Your favourite game here?

Do you have a favourite game that deserves some highlighting?

An old or recent game that wowed you so much you spam it to everyone?

Tell us about it! And it might appear here!

WE LOVE TO HEAR FROM YOU ALL! WHETHER IT'S GOOD OR BAD, OR EVERYTHING IN BETWEEN...

Have something to say? Send us a message titled: Zine Letter!

As we end this issue, we would like to thank:

our awesome mysterious anon!

all you readers who liked, shared, and commented on the last issue! What might be tiny actions are huge support and motivators to us! Thank you for cheering us on this journey!

~ ~ ~ ~ ~ ~

And see you again on Saturday!

AJ, DION, BRIAR, JEN AND PETER

WHAT'S NEW IN IF? 2024-ISSUE 31

[heyftinally]

Y'all are going to like this one.

SWIFTIES DON'T TOUCH THIS POST WITH A TEN FOOT POLE, I SWEAR TO FUCKING HELL-

So my friend sent me this article, and I'm going to tell you why I think it's complete bullshit.

1) wishing us a happy Pride month is the BARE MINIMUM. As someone with her presence in the media and social influence, she could - and should - be doing SO much more than just wishing us a happy pride four days in.

2) "the singer has been an advocate for the LGBTQ+ community" not a good one. She seems to only remember us when it's convenient or benefits her in some way. Case in point:

2018 - "When it comes to feelings and when it comes to love and searching for someone to spend your whole life with. It's all just really really delicate. You know?" Taylor then performed her song "Delicate."

2023 - It’s painful for everyone, every ally, every loved one, every person in these communities.

In the first example, the intentional song reference comes off as extremely tacky. This is people's LIVES you're talking about. People are MURDERED for who they are and who they love (or don't love). This isn't an appropriate time to pull out the "oh-so-quirky" act and be cutesy.

In the second, the fact that she can't even center queer people in their own experience is so, SO telling. I promise, however painful it is for allies, it's 1000x worse for us to LIVE it. Allies don't have to wonder "am I going to get hate crimed wearing this?" before they leave the house - we frequently do. To not acknowledge that shows me that everything she says is performative at best.

3) I wouldn't call what she does "advocacy". She mentions us every now and then when it's convenient for her, profits off of us when we fit her marketing plan, and I've yet to find where she actually apologized for the homophobia in the original version of Picture to Burn. Also, she's real good friends with Travis Kelce's dad, who is a raging transphobe (and I bet his kids are, too). You don't get to call yourself an ally if you willingly allow the people around you to be violent bigots.

4) "always" is a strong word for someone who seems to show her support situationally at best. The full quote was "The way for that to happen is for us to continue to keep pushing governments to put protections in place for members of the LGBTQ community. And I promise to always advocate for that." Yet she doesn't do that.

5) what she speaks out, I've noticed that it's nearly always in the states that primarily agree with her. We don't see a whole lot of her "inspiring ally" speeches in places like Texas or Florida. But I've seen plenty of them come out of already notoriously queer-friendly places. If you aren't willing to face the heat of the difficult places along with the comfort of the easy ones, you don't get to call yourself an ally. Allyship is not easy. Anyone remember when Lady Gaga advocated for us in Russia, under threat of arrest, and her response was "arrest me, Russia! I don't give a fuck!"? Yeah, I've never seen even half that level of true commitment from Taylor.

6) STOP. MAKING. STRAIGHT GIRL SONGS. "GAY ANTHEMS"!!!! FFS it's such a slap in the fucking face of REAL, ACTUALLY QUEER ARTISTS that y'all keep calling these piss pathetic straight girl over produced crap songs "anthems". Fucking stop it. If they aren't queer, they don't qualify to be a queer anthem or icon. Start supporting ACTUAL queer artists with ⅛ this energy, for the love of FUCK. This bullshit pisses me off. Do you need a list of queer artists? I'll make you one by hand if you promise to stop trying to label Raylor Swift's straight girl shit songs as "gay anthems".

7) rainbows and gender subversion are not exclusively nor inherently queer. If that's our bar for "gay anthems", the bar is so low Lucifer himself needs a damn Webb Telescope to just barely see it from hell.

[iatrophilosophos]

Hey I'm hearing uh. More, and more, and more buzz about GLP-1 agonists like ozempic from random ppl and healthcare providers alike and there's like a terrifying lack of lucidity abt it so I just wanna say, if you've heard some stuff and are curious:

Ozempic is a chemically-aided crash diet. That's it.

Like metformin, an older diabetes medication used off-label for weight loss, it's functioning as an appetite suppressant in this use-case. It's not magic; it's not changing how your body makes or uses fat; it just makes it less miserable to eat less. It is contraindicated by histories of disordered eating and should absolutely not be prescribed without a full screening for above-adequate food intake and nutrition *and* ongoing screening for adequate nourishment/malnutrition: this is broadly not happening.

I've also seen no indication that ozempic/GLP-1 agonists are any less likely to lead to weight cycling (w/o constant use) than a straight crash diet, or do anything meaningful to limit the known, significant health risks of weight cycling.

Nothing has changed:

The main things we know from a western scientific perspective about weight and weight loss are that 1) almost all people who lose significant weight gain it back and 2) weight cycling causes cardiovascular and metabolic health complications. Yall we aint even have strong evidence to suggest that weight loss is beneficial to health conditions associated with higher weights. This *should* point to Dr's never ever reccomending weight loss (we do know it can hurt, don't know it can help) but yknow we live in uhhhh fucking world.

We are possibly ripe for an aggressive intensification of anti-fat medical rhetoric, especially in pediatrics

Among the projections for an RFK FDA that ive gotten from folks i know in these fields is a renewed focus on childhood obseity and general military-style fitness. As the ozempic fad has already been ramping up, I'm kinda! concerned! about this being a major point of focus for the oncoming administration--i figure we're ripe for another mass diet craze associated with a wide variety of deaths anyway and that existing cultural+market inertia added to it being literally on the agenda spells some not great things. I really seriously reccomend paying extra attention to this area.

Clinics love ozempic because it's extremely popular and extremely profitable--i even know someone who's job was threatened for refusing to prescribe it. We already know that we cant trust doctors to be informed around weight or for the system to sound public alarms.

Obviously, people have the right to do whatever they want--but the disclosure just isn't there and people are being sold this stuff based on the idea it'll make them *healthier* and prevent disease. It can't and it won't.

If the claims here about weight in general are new to you, start here: (Don't love the title of the article, second the exasperation)

If you want to understand more about glp-1 agonists specifically, like, start with the Wikipedia article and do some googling it lays out the pharmacology in relatively plain language. Sry i ain't doing a buncha work to find citations ppl won't click; there's not a lot of good critical stuff out there that's actually published but it doesn't actually take a lot of reading up on critical weight science to form a critical take on the sources singing ozempics praises.

Peace, good luck, do whatever you want forever, maybe tell ur mom that this isn't any different from the disastrous weight loss fads of the 90s.